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| FACE
OF THE SCREAMING WEREWOLF |
| 1958:
This imitation Universal werewolf/mummy movie was originally
a Mexican horror/comedy entitled La Casa del Terror,
but when distibuted in the U.S., repackager Jerry Warren (Creature
of the Walking Dead, Man Beast) cut out all the funny bits.
So naturally, the film is just a little disjointed. It starts
with a lengthy, pointless segment in which a hypnotist brings
a girl back into a previous life where she engages in lengthy,
dull Maya dance ceremonies. Then some archaeologists break open
a tomb and find two mummies - one looking like the Aztec mummy
from The Robot vs. the Aztec Mummy, the other Lon Chaney
Jr. (yes, Lon Chaney Jr.) in makeup resembling that from the
Universal mummy films. A scientist unwraps Chaney, only to find
that the mummy is also a werewolf. The werewolf (it's undoubtedly
not Chaney in the costume) goes on the usual rampage and then,
after many dull events happen, the movie ends. Chaney has no
lines at all, he just sits around looking confused -- understandably
so, since this mindless, almost dialogue-free is a complete
and utter mess.. For masochism fans only.
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| FRANKENSTEIN
AND THE MONSTER FROM HELL |
| 1973:
This, the last of Hammer's Frankenstein series, has a young
man (Shane Briant) sent to a sanitorium run by the good doctor
(Peter Cushing), where the two engage in a series of brain-swapping
experiments. Not much happens, but the film is helped by an
amusingly gruesome sense of humour and some funny gore scenes,
including one in which the doctor kicks over a pan and spreads
bloody innards all over the floor. "Oh, drat!" David
Prowse (Darth Vader) plays the ape-like monster. Unfortunately,
the North American video release has apparently been cut by
several minutes.
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| FRANKENSTEIN
MEETS THE SPACE MONSTER |
1965:
This has been called one of the worst films of all time, but
before I saw it, I always figured that the charges were trumped
up because of the funny title. But, as it turns out, this is,
in fact, v ery,
very, very bad. A robot astronaut (the "Frankenstein"
of the title) fights aliens (led by the appropriately named
Dr. Nadir) from a dead planet who want to breed with Earth women.
There's lots of padding, including a moped tour around San Juan
and the expected reams of stock footage. The happenin' soundtrack
includes the timeless hit That's the Way it's Got to Be.
The bug-eyed alien monster is ok, but otherwise this is a really,
really, really rotten movie. And the guy who plays Dr. Nadir
is just plain weird. Back |
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| THE
FURY |
| 1978:
A mediocre spy story/Carrie knockoff has Kirk Douglas
as an ex-government agent searching for his super-psychic son
who posesses telekenetic powers. It's livened up with some creative
photography and gore scenes, as you'd expect from style-conscious
director Brian DePalma (Carrie, Dressed to Kill).
The climax, in which villain John Cassavetes is shown exploding
from thirteen different angles, is pretty amusing; unfortunately,
it's often cut for TV. Back |
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| FURY
OF THE WOLFMAN |
| 1971:
One of a long series of Spanish wolfman movies starring &
written by Paul Naschy (Werewolf vs. the Vampire Women,
Frankenstein's Bloody Terror), this has him as an innocent
man who's just returned from the Himalayas, where he was bitten
by a wolf (or something akin to that). Turns out he's being
hypnotically manipulated by a jealous female mad scientist,
a relation to the Wolfstein family which also popped up in Naschy's
Frankenstein's Bloody Terror. The film climaxes in a
male werewolf vs. female werewolf battle to the death. Special
effects include a human/plant creature which - I exaggerate
not - consists of a potted plant with some guy hiding behind
it who reaches out to grab people as they pass by. When I first
saw this, I thought that this scene was supposed to be showing
someone hiding behind the plants, since the hands aren't made
up at all; they're just ordinary hands. But, as explained by
the characters, this is a half man, half plant ... and it's
honestly one of the worst, most half-arsed special effects I've
ever seen. But the werewolf makeup, thankfully, isn't so bad.
Still, this movie isn't what I'd call 'good', or even 'watchable'.
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Text
and Original Images copyright 2000 by Conall Pendergast.
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